Designed to go on being, even when I forget to trust

I know I am designed “to go on being.” And to “go on being” not just anybody. Not an idealized, cleaned up version of myself. Nor an aspirational version. But a plain and quirky, occasionally brilliant, more often ordinary and flawed Sara: one-of-a-kind.

Yet I forget. I forget to trust my design. 

Life itself provides the reminders, as well as the support and pleasures of “going on being” in the company of other one-of-a-kinders.

 

recommissioned in perpetuity

by Sara Eisenberg

 

a wisdom-mechanism within

moves inexorably towards wholeness,

around, over, through the

barriers I have erected

(put in place for the Highest Good at the time: survival.) I

 

study myself to know I 

am alive, have a place. I 

push myself. I 

push against myself

(prevent  annihilation) 

unforgiving towards my

self as a flaw in creation. I

 

move out of the center of my attention,

move towards you: I 

push against you or disappear

(Reb Nachman said, ‘All the world is just a narrow bridge.” 

Just so my bandwidth for connection.)

 

in my 02 Honda the check engine light comes on.

Gary the technician reminds me it could be nothing, again, or one 

of ninety-two possible malfunctions.

Brenda the healer reminds me I can bear the incompleteness I

am.

 

the battery of the loaner car, parked

in front of my house 

dies.

 

by evening,

Daniel and Leah bear witness to the day’s

recommissions: I trust

my existence, relax

in my skin, dance

as I wash dishes,

self-forgiven,

soft, tender,

a woman

of rank.

This healing and awakening is “tacky,” i.e. real, human

Being more human, not more perfect can be so tacky: I have to mind the gap between the uncomfortably real and the idealized. Just now that means grief and anguish.

MIND THE GAP: I have always loved this sign that populates the London Underground, warning against a misstep between platform and train. The GAP I most need to MIND these days is the one between my Idealized, cleaned-up version of healing and awakening, and the Real Thing. I misstep daily, often without realizing it, as this rare dream illuminated for me a few nights ago:

I was in a cavernous, empty building, industriously erecting a sweet human-sized structure, well-proportioned, using high quality materials – there were four sturdy corner posts of well-turned and polished wood, a roof of shimmery colorful fabric overhead, some ethereal walls that left it open to a welcoming entry on all sides, until….

It abruptly collapsed…

And I found myself in the same cavernous, empty building, erecting – all higgledy-piggledy – a tacky little structure, a jumble of unidentifiable discarded materials, where everything was askew but managed to stand serviceably enough.

As I woke with these two images in mind, I could only shake my head at myself, recognizing the small structures were, respectively, my idealized image of a healed and awakened Sara, and the actual harum-scarum, raggle-taggle, hobson-jobson (to borrow again from the British), healing-awakening hot mess that I am.

As I woke, I was saying to myself: this is so tacky. Being more human and not perfect can be so tacky.

My dream was reminding me to be real, to reconcile myself one more time to my imperfect humanity.

Being real right now means I am awash in grief and anguish.  It means…

my cells are weeping

my nose is snotty

my sleep and defenses are shot

my invisibility cloak is inoperative

my frozen interior is melting

my fasciae are gaining in tensile strength and fluidity

my own hand resting on my thigh is penetrating comfort itself

anybody could find me and kill me off with a bit of kindness

I am finally, deeply, feeling a healing version of vaporous unseen and unnamed forces that have shaped every relationship, my very view of the world. Have propelled my movements through life, at times inflicting on others the very same neglect from which I suffered.

It is almost four years since I wrote the first drafts of these poems out of the shape of the relationship with my mother that I could sense kinesthetically with my whole body: a difficult yet mentally idealized picture. Now these poems are more vivid and alive:  salty, wet, and full of feeling.

So this healing and awakening is truly tacky, built of all manner of imperfections, mine and my mother’s. Uncomfortably real. But sturdy and not prone to abrupt collapse.

language is on my face

by Sara Eisenberg

language is on my face, Mother is un-lettered, i, an apple fallen close to her trunk, just beneath her tree, flat, looking up at her, a moon circling in a distant galaxy

 

Mother

by Sara Eisenberg

i am a world suspended upon

nothingness

 

launch myself on the wind

of my own arid breath,

mingle materially with

emptiness,

tract upon barren tract

until i

come up

up against

push up

up against

push,

push,

not landing,

push

against cloth black against darkness:

the shape of my mother,

herself bereft,

a mirror covered

against mourning,

swallowing light.


For more poetry:

https://alifeofpractice.com/daily-practices/an-exaltation-of-particulars/

https://alifeofpractice.com/poetry/women-friends-come-bearing-gifts/

 

At an intersection: But what do you love to do?

“But what do you love to do?”

JC has stopped me in my tracks with his question. We have been sharing our respective histories and current engagements with activism and social justice, and I am suddenly and unaccountably inarticulate.

Here I am a couple of hours later trying to understand why.

I met JC Faulk as a facilitator of conversation circle events several times over the summer months, and we had spoken before. Long enough to discover our shared admiration and debt to Edie and Charlie Seashore, who had trained both of us in group skills and diversity work, albeit a half generation apart from one another. An unexpected intersection, rich with a shared understanding of group process.

Red Emma’s, where we met over breakfast, sits at its own notable intersection. Charles Street runs north-south. It is typically described as “Baltimore’s Main Street,” “a historic cultural corridor,” ripe for development and redevelopment, and “a place where people want to live.” North Avenue, which crosses Charles Street just outside the door, runs east-west. It is “targeted for revitalization, improved safety, economic opportunity and access for residents.” This corridor gained notoriety for the Uprising that took place about two miles west of here in April 2015. These corridors can easily stand in for the city’s racial and economic fault lines. Red Emma’s sits at this intersection, drawing a mix of customers from both corridors, a stew rich with possibilities. A rarity in Baltimore.

I have just written myself to a new understanding. Now I see that I am pinned by his question at my own intersection:

Who I am and who I wish I was. Who I am and how I’d like to see myself: more skilled, more willing, more courageous, tougher and more empathic, grittier and more loving, ready to put not just my voice but my body on the line. The for-real Sara and the idealized Sara. The Sara who wants to make a difference in the world, be a difference in the world and thinks she has to be some other person to do this. The Sara who has just effectively devalued her life’s work.

And oh, my. The fact that I have crossed and recrossed this bridge with pretty much every single client I have worked with over the years does not save me from the same dilemma.

Now that I have named this problematic intersection, here’s my answer, JC:

I love to write. It helps me to see myself more clearly, to see myself whole. When I share my writing and hear back that it has helped some readers see themselves whole, I am nourished even more.

I love to explore life’s challenges with another person, to see the light come on in someone’s eyes. See a face soften, a body relax or straighten up as it needs to.  A flash of understanding. The “oh,” or the silence that says: I really get that, I get that in a way that restores me to something essential in myself, I get that in a way that I can make a different choice, I get that in a way that I see you in a fresh way. I love to travel with someone as she takes root in herself, breaks through hard soil, and unfolds towards the sky.

I love to play a role in a community that shares a clear focus and intention for a common good. Every such group is an intersection of differences rich with possibilities.

I love to work with people who are ready to talk, and want practice. Help design welcoming and safe but not bland or superficial group meeting spaces. Where strangers can build lasting and resilient relationships over time, become allies and friends. Where we human beings can show up with our strengths and limitations. Grant one another dignity. Listen to and tell stories. Learn and teach. Be together in “we don’t know.” Shed tears and shake with laughter. Drop through anger and fear and open to heartbreak. Stand together. Grow, grow up, grow in self-responsibility. Build the generosity, willingness, fortitude, trust to have one another’s backs.

And by nourishing connection in these ways, draw down grace. Because when we humans come into relationship, especially when that relationship is big enough to hold our differences, the world does respond and signal.

I love to work with practice groups, where we can practice being imperfect, genuine human beings together, and carry that out into our lives.

Thanks for asking, JC.

Now, friends – read more about JC’s work here.


 How about you? What do you love to do?